January 2012 - Hello! Thank you for visiting this site... a rather rag-tag batch of writing and rambling.
I'm hoping to use this “Public Noise” site for some random expression and freak-outs. It will also collect short articles and reviews I've written for the LEO city paper, Magnet & other publications. Thank you to all the folks who agreed to be interviewed over the last few years - and the editors that have given me a chance to contribute. All the best – JN
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PS: I've been in a cancer treatment program since August 2009 and my wife and I have shared some of that story at this address: http://www.caringbridge.org/visit/jasonnoble/




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Tuesday, April 19, 2011

MAGNET ARTICLE #7: China Miéville

“The Spider That Eats Your Dreams”

China Miéville is a young British author who creates a bracing new type of anarchic fiction. His work mixes political ideas, horrifying tentacle-things, archaic technology and lots and lots (and lots) of grotesque and wonderful ideas. There’s a redness of tooth and claw that recalls Cormac McCarthy, Terry Gilliam, Godzilla, Giovanni Piranesi’s creepy architecture, the film City Of Lost Children, Alan Moore or anything that includes the best monsters you could ever imagine. While he’s considered a fantasy novelist, it’s really difficult to really say what genre to place his work. Steam punk? Dark fiction? Hard science? Adventure yarn? There’s a fairly strong noir/detective impulse as well. So with his marvelous “New Crobuzon” trilogy—set in a richly imagined and achingly complex world that Miéville created—he’s received serious fan attention and accolades. His work is such a jolt of raw creativity it’s both captivating and a little overwhelming. Perdido Street Station (2000) is the first in that series, and if you start there (and love it) you will be uncontrollably drawn to finish the other two books. It’s important to note that these stories focus on a painful—often fatal—personal struggle of languages and ideologies, and not only for human characters. This fantasy type is not bloodless or without hard consequences. Miéville has quite a lot of other work, set in all kinds of “almost real” landscapes, including shadow-filled cop procedural The City & The City (2009) and his current book Kraken (which has a fantastic premise and a very central giant squid). To travel with Miéville is to go willingly into a dense and raggedy universe of words, but it’s truly satisfying. My pal Todd and I have become fairly obsessed with his work, and it’s really exciting to see a new talent emerge with such vibrancy and purpose. To quote Jon Hawpe (of Louisville bookseller Carmichael’s), “You never know what’s going to be next with China Miéville. Each page you will face something new, like a spider that eats your dreams.”

RIYL: JG Ballard, pretending there’s a shark in your bathtub under the bubbles, dressing in a full Cylon outfit on days other than Halloween, know what a Velociraptor is, William Gibson, Bad Brains, the drawings of William Stout and anything else that is just plain awesome.

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